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| September 20
| September 20
| Douglas Summerstay
| Douglas Summerstay
|
| Artificial Intelligence and Artificial Creativity Before 1900
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|-
| September 27
| September 27
We propose a model to combine per-frame and per-track cues for action recognition. With multiple targets in a scene, our model simultaneously captures the natural harmony of an individual's action in a scene and the flow of actions of an individual in a video sequence, inferring valid tracks in the process. Our motivation is based on the unlikely discordance of an action in a structured scene, both at the track level (e.g., a person jogging then dancing) and the frame level (e.g., a person jogging in a dance studio). While we can utilize sampling approaches for inference in our model, we instead devise a global inference algorithm by decomposing the problem and solving the subproblems exactly and efficiently, recovering a globally optimal joint solution in several cases. Finally, we improve on the state-of-the-art action recognition results for two publicly available datasets.
We propose a model to combine per-frame and per-track cues for action recognition. With multiple targets in a scene, our model simultaneously captures the natural harmony of an individual's action in a scene and the flow of actions of an individual in a video sequence, inferring valid tracks in the process. Our motivation is based on the unlikely discordance of an action in a structured scene, both at the track level (e.g., a person jogging then dancing) and the frame level (e.g., a person jogging in a dance studio). While we can utilize sampling approaches for inference in our model, we instead devise a global inference algorithm by decomposing the problem and solving the subproblems exactly and efficiently, recovering a globally optimal joint solution in several cases. Finally, we improve on the state-of-the-art action recognition results for two publicly available datasets.
===Artificial Intelligence and Artificial Creativity Before 1900===
Speaker: [http://www.cs.umd.edu/~dss/ Doug Summers-Stay] -- Date: September 20, 2012
I will talk about various inventions such as the Eureka, which generated Latin poetry in hexameter while playing "God Save the Queen"; the Homeoscope, a mechanical search engine invented by a Russian police clerk in 1832; the Componium, an orchestra-in-a-box which composed random variations on a melody; and others along the same lines. I'll also talk about how we could go beyond these techniques to build something really creative. This is a presentation of material I found when I was doing research for the book I published in January, Machinamenta.
